Mastering Discussion

This mix had three different stereo plate reverb FX busses (vox buss, guitars buss, and vox+guitars on the master buss) each set to different pre-delays.

At the mastering stage, I had been trying various multi-band compression configurations to give the vocals a bit of polish, and wasn't hearing what I wanted. So I set them aside to try a mid-range dynamic EQ instead. The vocals took on just enough crispness to make them a bit clearer; but the reverb tail's clarity really surprised me too. Suddenly that clear tail just popped out, pleasantly spread around/behind the entire sound stage. Still, I played around with the various parameters; but ended up returning to the original pre-sets provided by Finalizer.

Serendipity.:)
 
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This week, Streaky released another video that will explain a lot about compression. I've taken 2 of Streaky's courses and they are well worth it.

 
I highly recommend using some kind of room correction software, such as Sonarworks. That can help avoid chasing the wind.

If you like to Master with Ozone, I also recommend using the Stabilizer module, set manually. In fact, I never use the settings suggested by the Assistant; I set up my chain manually according to what I hear.

In the mid 80s I had a VW Golf Wolfsburg Edition that sounded so good I wanted to replicate it down in Studio C as a listening room!
 
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