Hi all,
I used DP 006 to record line in L+R, from a DJ mixer. When I was done, I realized this is not a "song" yet, I have to set the "in/out" times and make a "stereo master track".
If there is nothing I want to ADD to this, I should make sure my inputs are set to OFF.
I set the in and out times.
Now I have to basically record to the stereo master, essentially sit here while it plays through an hour long take, recording itself with nothing new being added.
I was hoping there would be an easy way to just capture what's there in the L+R tracks into a stereo file, and crunch the data into a final mix, without another real-time re-recording.
Do you think I am misinterpreting the manual? Can it just take the current tracks as-is and make a stereo master, without re-recording realtime, the entire thing?
Thanks for any input. Cool little machine, I have used the internal mics for guitar ideas.
I'm now trying to avoid recording on a computer now, and see if it will be good for a line-in dj mix. Computers ruin everything.
I used DP 006 to record line in L+R, from a DJ mixer. When I was done, I realized this is not a "song" yet, I have to set the "in/out" times and make a "stereo master track".
If there is nothing I want to ADD to this, I should make sure my inputs are set to OFF.
I set the in and out times.
Now I have to basically record to the stereo master, essentially sit here while it plays through an hour long take, recording itself with nothing new being added.
I was hoping there would be an easy way to just capture what's there in the L+R tracks into a stereo file, and crunch the data into a final mix, without another real-time re-recording.
Do you think I am misinterpreting the manual? Can it just take the current tracks as-is and make a stereo master, without re-recording realtime, the entire thing?
Thanks for any input. Cool little machine, I have used the internal mics for guitar ideas.
I'm now trying to avoid recording on a computer now, and see if it will be good for a line-in dj mix. Computers ruin everything.