Long winded rant to follow:...................
Prior to buying my DM3200 in May of 2009, I'd done quite a bit of research - reading reviews, asking questions. Even before I struck the deal with the studio I bought my console from, I took a long ferry ride out to Bremerton, WA where the studio was located. (we were living in the Pacific Northwest back then). I spent 1/2 a day with the engineer - demo-ing the console, running it through various outboard, D/A, etc. For purposes of comparison, their big room board was a Trident once owned by Peter Frampton - no lack of analog vibe there.
Without naming names, my previous board's summing buss was challenged in my opinion; I always suspected the 'math' wasn't right and when everything combined at -3db in the mix, clarity suffered. At least that was my suspicion. So I looked into summing mixers - costly devices alleged to impart Big Analog Board Sound To DAWs. Mercenary Audio's 'Dangerous Boxes' were of special interest. But were they worth $5000? Would it not be better to just buy an old analog board (plenty of used Soundcrafts and Mackies out there for less than 5K)?
At this point you're wondering - what's mine? Here it is: I tend to think that those who still find modern digital audio lacking in some way haven't learned how to use their system's EQs. Somehow, a lot of high end information finds its way into mixes, and when the tracks are auditioned in cars, ear buds and living rooms, that shrieking, thin audio is characterized as 'digital coldness.' So, an external summing means is sought to correct what may well be a deficiency in the original tracks. Perhaps, a few hi-pass filters, judicious bumps in low mid range, and serious attenuation of frequencies above 6khz are all that's needed. And, maybe, monitoring upgrades are in order to help users better determine how and where to apply these tools.
Another alternative is DSP; 'tape emulation' ' etc etc. How good are these solutions? Frankly, most I've used just add false harmonics without really doing much aesthetically. Some mastering plugs like Ozone5 are the exception, though; the Harmonic Exciter is a nice plug if it isn't used to band aid systemic mix deficiencies.
Finally, here's an excerpt from a DM3200 review I copied off the ZZounds.com site. I think it pretty much 'sums' up my suspicions:
"I give it [DM3200] a 7 because it is clean. too clean. It doesn't have that full, rich, deep sound that you get with a Mackie,or say an Allen and Heath (use those as comparisons as they are in same price range). Cannot compare to Yamaha mixers and I have not mixed on them. I know that IMHO, it doesn't have as nice a deep, rich low end as a good analog console with a bus compressor. It cannot touch an SSL or Neve unless you throw in an Xl rack or UAD/Duende Cards in your PC, which is exactly what I did. I am not a big fan of the sound of digital boards, and when guitars, drums and whatnot are run straight into them, they have no depth in the low end and digital EQ is just, well, weird sounding. Unnatural to the human ear......"
I'm not against using any tool that satisfies its user. But a drill doesn't work well with a broken bit. Just sayin'.
CaptDan